SolContinuing the line started in El porqu de las naranjas (MACK, 2014), Ricardo Cases investigates again the clich of the Levantine coast. Approaching his work as if it was childs play consisting of representing the sun, the author is plunged into the blinding light of the Levantine summer seeking its essence, letting himself be carried away by the sensations and questioning how the sun determines the identity, aesthetics and local economy. I was born
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